ECO. ORIGIN ECHI
erre three
production umbertiner pha bi
Tre Erre is a production of Pha Umbertiner Bi Umberto Fabi. Loosely based on Shakespeare's Richard the Third, the work is played with a puppet "actors finger" in a frame for paintings. Send scekspiriano is respected in principle as they are used to comply with the texts and life more generally the puppets ...
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symphonies for the wood vida es Sueno
production umbertiner pha bi
The drama of Calderon de la Barca complete "Trilogy of Power" I worked on in recent years. The power understood as the desire to impose itself and in reality, snubbing all the metaphysical implications that it conceals. [...] A text that ranges from the simplicity of the tale and the complexity of the symbolic construction, "a text that, for these features beautifully ambiguous, I commend to my wooden actors: the irreverent puppet show. The story itself tells of an old king, relying on science and astrology, she discovers that her son will cause a disaster for his family ...
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ORIGINS
In 2006 he began the journey with director Umberto Fabi , that lead to the creation of Fellowship of Eridani , a project born from an idea of \u200b\u200bthe artistic director of Teatro Comunale Giuseppe Casalmaggiore Romanette and actor-director Umberto Fabi : Po found in the town a group of theatrical creation "open" "a group willing to accept and nurture players with professional ambitions and absolutely free of past actors on the stage, in order to establish an exchange range of expressive and creative in a mixture of experience and freshness, where one draws the same time and gives to another. The result achieved by our players, in terms of style and form, after three years of laboratory, is to act on the scene with the knowledge of the technique el'incoscienza of passion, always poised between the discipline of form el'inafferrabilità idea.
The Fellowship of Eridani debuted in 2007 with an exhibition inspired to ' UbuRoi Jarry, experiencing the work in the mask.
next two years we have worked solely on Shakespeare's text The comedy of errors . The basic choice was to appear on the scene the text in its entirety - a gamble if you think an audience now tamed to fulminant language of advertisements. A choice that has been strengthened during the construction of the show, when the text was put into voice revealing unexpected stylistic niceties that an initial analysis would have been sacrificed to the cut. The basic work on the preparation of the actor was inspired by the Japanese martial art of aikido techniques. Focusing on them, we went in search of body awareness, and then the body in space. The goal was to find a specific scene and alert the presence of a fair balance of the image representative, through a strengthening and a more "faith" in its expressive qualities.
